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Anna Larsen - Beginnings: Bach Well-Tempered Clavier I

Anna Larsen - Beginnings: Bach Well-Tempered Clavier I

Anna Larsen - Beginnings: Bach Well-Tempered Clavier I 0
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Base SKU: 707541294799
UPC: 707541294799

Anna Larsen - Beginnings: Bach Well-Tempered Clavier I (CD NEW)


Label: Cd Baby.Com/Indys
Format: CD
Release Date: 21 Dec 2010
No. of Discs: 1

All our items are brand new. Our customer service is multilingual for your convenience and we offer Royal Mail Freepost Service available for qualifying returns.

Album Tracks

DISC 1:
1. Well-Tempered Clavier, Book 1 - Prelude #1 In C, BWV 846
2. Well-Tempered Clavier, Book 1 - Fugue #1 In C, BWV 846
3. Well-Tempered Clavier, Book 1 - Prelude #2 In C Minor, BWV 847
4. Well-Tempered Clavier, Book 1 - Fugue #2 In C Minor, BWV 847
5. Well-Tempered Clavier, Book 1 - Prelude #3 In C Sharp, BWV 848
6. Well-Tempered Clavier, Book 1 - Fugue #3 In C Sharp, BWV 848
7. Well-Tempered Clavier, Book 1 - Prelude #4 In C Sharp Minor, BWV 849
8. Well-Tempered Clavier, Book 1 - Fugue #4 In C Sharp Minor, BWV 849
9. Well-Tempered Clavier, Book 1 - Prelude #5 In D, BWV 850
10. Well-Tempered Clavier, Book 1 - Fugue #5 In D, BWV 850
11. Well-Tempered Clavier, Book 1 - Prelude #6 In D Minor, BWV 851
12. Well-Tempered Clavier, Book 1 - Fugue #6 In D Minor, BWV 851
13. Well-Tempered Clavier, Book 1 - Prelude #7 In E Flat, BWV 852
14. Well-Tempered Clavier, Book 1 - Fugue #7 In E Flat, BWV 852
15. Well-Tempered Clavier, Book 1 - Prelude #8 In D Sharp Minor, BWV 853
16. Well-Tempered Clavier, Book 1 - Fugue #8 In D Sharp Minor, BWV 853
17. Well-Tempered Clavier, Book 1 - Prelude #9 In E, BWV 854
18. Well-Tempered Clavier, Book 1 - Fugue #9 In E, BWV 854
19. Well-Tempered Clavier, Book 1 - Prelude #10 In E Minor, BWV 855
20. Well-Tempered Clavier, Book 1 - Fugue #10 In E Minor, BWV 855
21. Well-Tempered Clavier, Book 1 - Prelude #11 In F, BWV 856
22. Well-Tempered Clavier, Book 1 - Fugue #11 In F, BWV 856
23. Well-Tempered Clavier, Book 1 - Prelude #12 In F Minor, BWV 857
24. Well-Tempered Clavier, Book 1 - Fugue #12 In F Minor, BWV 857

DISC 2:
1. Well-Tempered Clavier, Book 1 - Prelude #13 In F Sharp, BWV 858
2. Well-Tempered Clavier, Book 1 - Fugue #13 In F Sharp, BWV 858
3. Well-Tempered Clavier, Book 1 - Prelude #14 In F Sharp Minor, BWV 859
4. Well-Tempered Clavier, Book 1 - Fugue #14 In F Sharp Minor, BWV 859
5. Well-Tempered Clavier, Book 1 - Prelude #15 In G, BWV 860
6. Well-Tempered Clavier, Book 1 - Fugue #15 In G, BWV 860
7. Well-Tempered Clavier, Book 1 - Prelude #16 In G Minor, BWV 861
8. Well-Tempered Clavier, Book 1 - Fugue #16 In G Minor, BWV 861
9. Well-Tempered Clavier, Book 1 - Prelude #17 In A Flat, BWV 862
10. Well-Tempered Clavier, Book 1 - Fugue #17 In A Flat, BWV 862
11. Well-Tempered Clavier, Book 1 - Prelude #18 in G Sharp Minor, BWV 863
12. Well-Tempered Clavier, Book 1 - Fugue #18 in G Sharp Minor, BWV 863
13. Well-Tempered Clavier, Book 1 - Prelude #19 In A, BWV 864
14. Well-Tempered Clavier, Book 1 - Fugue #19 In A, BWV 864
15. Well-Tempered Clavier, Book 1 - Prelude #20 In A Minor, BWV 865
16. Well-Tempered Clavier, Book 1 - Fugue #20 In A Minor, BWV 865
17. Well-Tempered Clavier, Book 1 - Prelude #21 In B Flat, BWV 866
18. Well-Tempered Clavier, Book 1 - Fugue #21 In B Flat, BWV 866
19. Well-Tempered Clavier, Book 1 - Prelude #22 In B Flat Minor, BWV 867
20. Well-Tempered Clavier, Book 1 - Fugue #22 In B Flat Minor, BWV 867
21. Well-Tempered Clavier, Book 1 - Prelude #23 In B, BWV 868
22. Well-Tempered Clavier, Book 1 - Fugue #23 In B, BWV 868
23. Well-Tempered Clavier, Book 1 - Prelude #24 In B minor, BWV 869
24. Well-Tempered Clavier, Book 1 - Fugue #24 In B Minor, BWV 869

Anna was born in March of 2000. She started playing piano by ear when she was three and composing when she was five. She began serious study of the Well Tempered Clavier when she was nine and made these recordings when she was ten. The preludes and fugues in the Well Tempered Clavier are among the most precious treasures of the world. Bach wrote that they were for "the profit and use of musical youth desirous of learning, and especially for the pastime of those already skilled in this study." His words have rung through the centuries. All the great composers have thoroughly studied these works. They are the foundation of Western classical music. In these masterpieces, Bach composed a prelude and fugue for each major and minor key completing a set of 24. The prelude is usually in a free form. The fugues are written with anywhere from 2 to 5 voices. In the fugue, a subject, or small theme, is introduced and then varied in contrapuntal style. The fugue also has episodes that provide contrast and connect different sections. The C# minor prelude and fugue is one of Anna's favorites. Anna began formal lessons at four, first with Fani Liao and then with Sachiko Isihara at the Suzuki School of Newton. When she was eight, she moved to the preparatory school at the New England Conservatory, studying first with Angel Ramon Rivera and now with Professor Hung Kuan Chen and Tema Blackstone. In 2008, she received a scholarship from the Lang Lang Foundation. She and her fellow scholars have played exciting collaborative works on the Oprah show, Carnegie Hall in the YouTube symphony orchestra, and Segerstrom Hall in LA. Anna thanks her mentor Lang Lang for all his wonderful support. Anna has also been recognized in several national competitions for her original compositions. She was born with innate perfect pitch, which is the ability to name any note or any combination of notes. For her, there has always been an unusually strong connection between language arts and music. This musical intuition has allowed her from a very young age to read music and hear it in her head and likewise to hear music in her head and play it on the piano or write it down on paper, the same way we would read and write words, sentences, and ultimately stories. She has studied composition with Alla Cohen at the New England Conservatory since 2008. She recently completed a set of Symphonic Etudes, which she is orchestrating into her first symphony. Anna hopes to leave behind many original, enduring, and inspiring master compositions for both musicians and non-musicians to enjoy in generations to come. Anna will continue growing as a composer, recording artist, and concert pianist of the Lang Lang foundation. Outside of music, Anna loves swimming, skating, reading, writing and drawing cartoons.

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