Every River @@us/uswm2/608/245608_1_01.asx?obj=v30930@@ I'm Alright @@us/uswm2/608/245608_1_02.asx?obj=v30930@@ Wildest Dreams @@us/uswm2/608/245608_1_03.asx?obj=v30930@@ Straight As The Crow Flies @@us/uswm2/608/245608_1_04.asx?obj=v30930@@ I Know @@us/uswm2/608/245608_1_05.asx?obj=v30930@@ Fallin' @@us/uswm2/608/245608_1_06.asx?obj=v30930@@ To Tell The Truth @@us/uswm2/608/245608_1_07.asx?obj=v30930@@ My Whole World @@us/uswm2/608/245608_1_08.asx?obj=v30930@@ Lonesome Side Of Town @@us/uswm2/608/245608_1_09.asx?obj=v30930@@ Don't Let Me Down Easy @@us/uswm2/608/245608_1_10.asx?obj=v30930@@ Let It Roll @@us/uswm2/608/245608_1_11.asx?obj=v30930@@ Why Can't I Say Goodnight @@us/uswm2/608/245608_1_12.asx?obj=v30930@@
On her second album, Kim Richey stands with one foot in the commercial country world and the other in the "alternative" country realm
she seems poised to gain a solid toehold in whichever style she chooses. Though Richey possesses a strong, clear voice and is an excellent harmony singer, her real asset as a solo artist lies in her songwriting. She is not afraid to leave herself slightly vulnerable, and that vulnerability and emotional honesty is her songs' greatest strength.The album's production (by Angelo, with John Leventhal producing one track) owes much of its sound to contemporary triple-A or Americana radio formats, with a dense combination of acoustic and electric instrumentation that helps give the record a fullness, but also leaves little room for individual instruments to stand out. Most successful are tracks like "I'm Alright", "I Know" and "The Lonesome Side of Town", where a prominent beat keeps the song moving forward and the listener closely attuned to Richey's ample talent.
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